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This is The Weird Show Gallery —a curated space where artists, ideas, and collectors meet to shape the evolving language of contemporary collage.
Rotating exhibitions every four months. Works available only while the show runs. This is contemporary collage as radical practice you can live with. Explore our inaugural exhibition below.
Current Exhibition:
Exhibition running from Nov. 2025 – Feb. 2026
All work are for sale only during the exhibition dates.
Curatorial statement:
Historically entwined, collage and paper have long shared a lineage that often reduces the former to a practice rooted in cut-outs and flat surfaces. But in this exhibition, we reclaim paper not as a limit, but as a generative force. Here, paper is not the background—it is the protagonist. Through diverse approaches, the featured artists dismantle traditional expectations of both material and medium to open new ways of seeing, building, and thinking with paper.
Featuring the work from:
Featuring the work from:
SUSANA BLASCO
Blasco's practice lives between two temperaments: the precision of design and the warmth of remembrance. She dissects and rebuilds her images until they feel both tender and methodical, like structures made of air.
"With this series of geometric collages made from found postcards with floral motifs, I dive deep into my most recurrent obsessions: the passage of time, fragmentation, compulsive order, and distortion. "
S.B.
Floral 02, 2025
Archival pigment print
(from antique postcard collage)
Archival pigment print
(from antique postcard collage)
Limited Edition Print
From 175EUR
ANDREA BURGAY
Andrea Burgay works like an archaeologist of emotion. In her collages, paper behaves like skin: holding traces of what has been removed. The act of reconstruction becomes both healing and rebellion—a quiet defiance against disappearance. In this way, she turns collage into a ritual of transformation: art not as preservation of the past, but as the ongoing negotiation between what remains and what we allow to change.
False Starts, , 2025
Archival pigment print
(from original collage of magazine and catalog fragments on index page)
Available in 4 sizes.
Edition varies by size
Archival pigment print
(from original collage of magazine and catalog fragments on index page)
Available in 4 sizes.
Edition varies by size
Limited Edition Print
From 175EUR
"In my work, transformative processes revive and reconstruct castoff objects and materials through memory, emotion, and imagination."
A.B.
ALMA HASER
In Alma Haser's new series, the body becomes both subject and surface. Her work stretches the definition of the medium until it almost dissolves, showing that collage is not defined by its tools but by its attitude—a willingness to inhabit the uncertain, to cross borders, to stay in the weird territory where image and matter converge.
In The Palm Of My Hand, 2025
Archival pigment print
(from original photography and printed photographs layered in the image)
Available in 4 sizes.
Edition varies by size
Archival pigment print
(from original photography and printed photographs layered in the image)
Available in 4 sizes.
Edition varies by size
Limited Edition Print
From 175EUR
"I take my photographs further by using analogue techniques such as inventive paper-folding, collage, and mixed media to create layers of intrigue around my subjects (...) blurring the distinctions between two-dimensional and three-dimensional imagery. "
A.H.
JACK FELICE
For Jack Felice, what's hidden can be as potent as what remains visible. What he covers, what he erases, becomes a space of possibility—a gap for perception to wander. Beneath the layers of cut paper, tape, or collage edges, faint ghosts of imagery persist, offering a tension between absence and trace. Through what is withheld, Felice cultivates openness. His work does not dictate a narrative; it allows us to roam the edges of image and void, to sense the ghosts between cuts and the space that emerges from erasure.
"My collages aim to explore the connections between visual artwork and poetry. Ranging in theme and ever-evolving in style, the collages gravitate toward a loose narrative unique to the viewer."
J.F.
Theoretical Race Car Driver, 2024
Archival pigment print (from paper collage original)
Available in 4 sizes
Edition varies by size
Archival pigment print (from paper collage original)
Available in 4 sizes
Edition varies by size
Limited Edition Print
From 175EUR
PAUL HENDERSON
In Paul Henderson's work, the line between image and abstraction is always unsettled. His collages hold together bodies and fragments that shouldn't belong to the same world. Figures emerge from the cuts only to dissolve again into pattern, texture, or void. The result is a strange equilibrium: order built from rupture.
Untitled, 2024
Archival pigment print
(from original photography and printed photographs layered in the image)
Available in 4 sizes.
Edition varies by size
Archival pigment print
(from original photography and printed photographs layered in the image)
Available in 4 sizes.
Edition varies by size
Limited Edition Print
From 175EUR
"I'm interested in developing a unique visual language by combining a wide range of graphic elements with images from art history, medical textbooks, religious ephemera, magazines, and junk mail"
P.H.
MIKO HORNBORG
Miko Hornborg works in the quiet zone where collage almost disappears. His compositions dissolve the seams that usually define the medium—no visible cuts, no glue, no raw edges. What remains is a sense of tension between construction and illusion, as if the image had come into being on its own. There's humor and danger in his restraint. The works seem minimal at first glance, but their silence holds a nervous energy. They lie, play, and seduce—echoing the artist's own phrase, "Bauhaus on acid." Each image is a construction that pretends to be a fact, a trick that turns art into a mirror for our own faith in the visible.
"My works are playful and colorful messages from another reality. They depict landscapes and spaces in the vague borderland between figurative and abstract through the medium of analog collage."
M.H.
Soft Morning, 2025
Archival pigment print (from paper collage original)
Available in 4 sizes
Edition varies by size
Archival pigment print (from paper collage original)
Available in 4 sizes
Edition varies by size
Limited Edition Print
From 175EUR
MARK WAGNER
Mark Wagner has spent years dissecting the American dollar, transforming it from a symbol of trust and power into a material for questioning those very ideas. In his work for Phantom Tigers and Parallel Papers, that critique takes an explicit, even humorous form: George Washington sits at a desk, speech bubble in hand, asking simply—America What The Fuck? Rendered entirely from sliced and recomposed U.S. banknotes, the piece is both surgical and satirical. Every element—the engraved borders, the serial numbers, the fragments of Washington's own portrait—becomes part of a visual language turned against itself. The precision of the cut amplifies the absurdity of the message: authority literally speaking back to its creators. The phrase, translated into nine languages, stretches the image's meaning beyond national borders. Wagner's collage becomes a multilingual echo of disbelief, a global response to a fractured present. It's an acrobatic gesture in both form and intent: turning limited material into complex critique, elegance into protest.
"I've got the dumbest job description in the world. Every day i go to work and i cut up money. Like, if i told people my job was punching myself in the face, it would probably sound just as believable. " M.W.
America, WTF (English), 2025
Archival pigment print
(from original currency collage)
11x14 in
Edition of 250
Archival pigment print
(from original currency collage)
11x14 in
Edition of 250
Limited Edition Print
100EUR
Featured
Support us: Exit through the gift shop
We are an independent art project that has been supporting contemporary collage since 2010. Our gift shop is half vanity (we’d love to see you wearing one of our shirts) and half a way for you to help us keep this project alive. Check out the merch we created for this show — it’s a small but great way to support future exhibitions like this one.
"Television is becoming a collage - there are so many channels that you move through them making a collage yourself. In that sense, everyone sees something a bit different."
David Hockney
in conversation with Paul Joyce.
1988